Document Type

Article

Publication Date

Summer 8-1-2016

Abstract

Supported by the modern European Zionist movement, the Bezelel Academy of Art, Jerusalem, was founded in 1906 by Lithuanian artist and Zionist Boris Schatz. In the early years of the academy, work produced by students exhibited the political complexities presented in the Jewish return to Eretz Israel. The expression of concepts addressed in modern Jewish identity and Zionist ideologies were utilized in creative processes of visual communication and design. As most faculty and students were immigrating to Mandatory Palestine from Europe, the academy’s curriculum was developed through the culmination of styles and materials reflective of both European art and design canon and biblical allegory and Hebrew typography. This essay discusses the philosophies and aesthetics that influenced the progression of the Bezelel Academy of Art, Jerusalem, in its founding years.

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